Em "Recovery"

Voracious, p*ssed , cathartic, and controversial Em just spits venom ready to kill within ten seconds. It’s probably best that he gets rid of some of that before he gets to working on bettering himself. The “Cold Wind Blows” an undeniable bass and beat that serve as a simple but effective support system. The next song I can completely connect with, and is easily one of my favorites, because there have been many times that I have been “Talking To Myself,” because it feels like the only person that will completely accept me for me is myself. It has this awesome riff and great vocals from Kobe, Oh he was so mad he almost attacked Weezy and Kanyeezy, but realized that jealousy is what urged him to think of that, but it was their inspiration that put him “On Fire” with a powerful beat, and a cinematic choral background with this looped muted strumming. I “Won’t Back Down” is a stubborn mule’s anthem that has this addictive beat and hook, this guitar riff that has you looking at the fire in your eyes, ok, maybe not. But this song is a great fist pumper, swag-starter, and one that can give inborn persistence a run for its money, and serve as a nice substitute. It is also great that the volume turns down for a second and it just heightens the effect that this poignant hate-spitting wordsmith has when on the mic. We take a break and go to a “W.T.P” You can probably figure that out, I know you’re smarter than that. This song has a nice beat and hook, but is more of a party song. “Going Through Changes” has a nice sentimental beginning with vocals that sound like Ozzy, was that a sample? This beautiful piano and guitar riff in this sentimental, heartfelt, and song of remorse, introspection, and the prospect of hope for a better future even after losing a best friend, and apologizes to Hailie and how the relationship did not work, but that he still loves her mother. “Not Afraid” was one of the biggest hits of 2010, and there is no need to explain why, as it is an amazing anthem for those who need some reassurance and a warm-up. “There's a seven disc cd changer in her car, and I'm in every single slot, and you're not. Aww. I'm the logo on the dallas cowboy helmet. The star, and I'm not about to and just keep rhymin one syllable.” I know there are so many amazing verses in this disc, but I thought I would just put one like this to be jarring I know, can’t even do that right! “Seduction” is another Great song that goes into the next which features Lil Wayne, and borrows Haddaway’s What Is Love? It has this ominous horn and occasional inclusion of riff, that is basically about how bullies get “No Love.” “Where the f*** is Kanye when you need him?/Snatch the mic from him, b**** I'mma let you finish in a minute/Yeah that rap was tight/But I'm 'bout to spit the greatest verse of all time/So you might want to go back to the lab tonight and um/Scribble out them rhymes you were going to spit/And start over from scratch and write new ones/But I'm afraid that it ain't gonna make no difference/When I rip this stage and tear it in half tonight.” The next track has us “Space Bound” with an acoustic strumming and this ringing key that sounds spacey, as well as female vocals directing you toward the black hole. A slow and genuine verse tale of lost love. I love the hook, vocals, and beat in this song; it just kicks butt as well, and you cannot help but want to sing along with this “Cinderella Man” and his tendency to “Raise h*** from h***he came,/but didn't come to bore you with the cinderella story/Nor did he come to do the same/He can't afford to be a label in this day in age/And at this stage of the game/Mediocrity cannot be allowed to fly/So say bye/To the O H I/To the new case of rock.” With no choice or hope of parole, “25 to Life” can be pretty bleek. It has this catchy hook, great synth inclusion, and recalls the feeling of worthlessness that Em felt before he was famous, and how her tone had changed, as well as his bittersweet marriage to the game. Em is “So Bad” that is why he is only wearing his pajamas as his posse plays this funky horn. I could have sworn I was “Almost Famous,” once. The female vocals sound so perfect for this song and the horn screech intro says it’s time to get ready to prove you have what it f****n’ takes, Biyatch!! It almost made me think of  the time I Made It from Kevin Rudolf, Jay Sean, and last but not least, Weezy, motherf‘r! “Love the Way You Lie” is so undeniably catchy and was a single played even more than its predecessor for reasons obvious to state. “You’re Never Over” is a singing percussive drum-machine laden track. The final song has no title, but it does have this funky horn/beat duet with this catchy hook,and a great way to end it “Cuz it will turn into a gremlin and run over kids women & men/ Vrrrrrn vrrrn! motor so big you can fit a midget in its engine/B**** gimme them digits while your cringin'/Not by the hair on my chinny-chin-chin/Will I spen-spend even ten cents on you/Since when do you think it's gonna cost me a pretty penny/S*** if I think a penny's pretty/Just image how beautiful, a quarter is to me” If I had to choose these songs to recover from I would choose: W.T.P, Seduction, and a song that is So Bad (ok,not that bad)