Thursday, February 21, 2013

Big Boi "Sir Luscious Left Foot...The Son of Chico Dusty"



I probably would not want to feel those dirty piano keys, but I don’t mind listening to them. “Feel Me?” The speakerboxx returns with some funky guitar for the intro.  He sounds like Skee-Lo, and even Coolio, talk about flashback! Seems like "Daddy Fat Sax"  went somewhere near the river that had someone playing  a tecnochordion. Oh, Joi! This song “Turns Me On.” Not really, but Sleepy Brown returns to make another sexy anthem for the ladies with the Big Boi. You might be able to remember the name, but not be able to pronounce it because it sounds like he’s from space (Vonnegut), and so do these synths. “Follow us” or face the wrath of Big Rube. “Self-preservation is the rule when you do aim” and caught in my system this “Shutterbugg” became; while being worthy of replay, not just for vocoder and short re-interpolay. “General Patton” is coming in with fury, and it is not just the beat, the bombastic fanfare, or even Big Rube; who sounds like someone you would rather not face,even in a chess match. It is the verses delivered with fury and passion. What’s her name, Billie Jean or “Tangerine?” Does it matter when she shake it like a tambourine? That beat, amidst the horny brass when she shake it you know I’m talkin’ bout her a--. Khujo Goodie and distinctive guitar, T.I just show how fly you are. Boy I’m lame, but rhyme like a star, and when I say that I mean from far. To those who deliriously believe they are rappers because they DJ, this one’s for you, oh and “You Ain’t No DJ” either. The real ones don’t proclaim, but leave that to their name. I can’t tell whose verses are better, Yelawolf or Luscious Leftfoot, it’s insane. Debra Killings and Jamie Foxx assist  on vocals on an anthem for those who never stop. The song focuses more on the vocals, and has a more laidback production style; that will give you time to wipe off all that “Hustle Blood” off your face after losing with a nonexistent rebuttal. Even though he doesn’t seem very spiritual he mentions the bible within his lyrics in several songs throughout this record. Janelle Monae contributes her vocals , and urges young hearts to “Be Still.” The best George Clinton can do “Fo Yo Sorrows” is to roll you a blunt, to apologize for smoking one in your face, and for satisfying your girl’s oral fixation. I didn’t say anything that wasn’t practically sung, but I would prefer to showcase something that has more substance and strikes a chord instead:                                   “Kill yo'self like Sean Kingston, suicidal for a title
                                    My recitals are vital and maybe needed for survival
                                   Like the Bible or any other good book that you read
                                   Why are 75% of our youth readin magazines?
                                   'Cause they used to fantasy, and that's what they do to dream
                                   Call it fiction addiction 'cause the truth is a heavy thing!”                                           His verse did seem Too $hort, but it was enough for Boi to be featured with one of his favorite rappers. This song is one of the best, and not because one of the innovators of funk, or more specifically architect of P-funk, is present, or that occasional two-step beat; just listen to it, it may relieve some of that sadness without that kush. When Big Boi says “Night Night” you best “Stay sharp as broken glass, get busted on or smashed/When you’re a-- cross paths with this half of the Kast” as best informed by fellow a(T)lien B.o.B. I am reminded of Idlewild when I listen to this song, but that could also be due to the Joi-filled backing vocals. I have more love for the “Shine Blockas” then I should, but the soulful backing vocals are so engrossing; remember, haters make you better because you know who you don’t wanna be like. Speaking of Idlewild, one of my favorite songs will always be the original ride on the train. This trip takes its time, devoid of those soulful vocals, and that addicive riff; what replaces it is a song that sounds like some of the instruments are high, as Big Boi slays with his verses and Sam Chris’ vocals resemble Clinton’s on “The Train, Pt. 2 (Sir Luscious Left Foot Saves The Day).” No girl wants to be some guy’s “Back Up Plan,” but that is what this song is about. This may be a bonus track, but it would be a worthy “Theme Song” for anybody who chooses, or at least a great ringtone. Is there a subtle message there? There is also a “Shine Blockas (Remix)” featuring Bun B, Gucci Mane, and Project Pat. 

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