Monday, December 19, 2022

A Sentimental Christmas with Nat King Cole and Friends: Cole Classics Reimagined

 I wasn't really planning to give this review its own post because I didn't want to set the tone for high expectations, not that I have to worry. But with two songs that stand as royalty among his other hits, I would be remiss to not do this. When it came to the resurrection of his unforgettable hit with vocals recorded by his daughter Natalie Cole, it lived up to its name. What about the seminal tune that mentions chestnuts roasting on an open fire but is more about what makes the holidays so magical?

With that in mind, is another (posthumous) Christmas album necessary? However, this question can also pertain to a majority of releases in the genre. The pessimists can say there is a reason why one of the colors associated with this holiday is green (but there is probably another reason too), and we don't see the holiday through that artist's eyes so we cannot say that the primary assumption is astute.

Red is also associated with passion, and this holiday, for a reason. The opening duet with another legend, Johnny Mathis sets a joyful base for the Christmas treat you will be listening to.

Cole's renditions of "O Come All Ye Faithful"(Adeste Fidelis)/The First Noel" and "O Little Town of Bethlehem/Silent Night" have stood the test of time and serve as examples that his voice can hold its own among the instrumental accompaniment, and that a duet is an enhancement of his talents, and not a requirement. I would say that "I Love You (For Sentimental Reasons)" is the best of the first three solo recordings that appear on the record, but only by a candy cane or two.

The duets with Kristin Chenowith and Calum Scott struck a chord with me for different reasons. I would have to say I liked the "O Holy Night" revision more than the former, but they are both essential to this sentimental quilt, which may not only warm your heart, but could even warm your soul.

I never heard "A Nightingale Sang in Berkley Square" and probably never will, but this digital duet with Gloria Estefan can help me envision one doing so. 

"The Little Boy Santa Claus Forgot" is still as poignant as ever, not only leaving sadness for the protagonist, but contemplation for the listener. Maybe reminding the listener of what they are thankful for?

Anyways, the album ends with a digital duet and another legend, John Legend. I cannot say this song is the big bang that blasted Cole into the stratosphere, but it included chestnuts and an open fire. 

I heard his "solo" recording of this song at least a decade before I even began to contemplate listening his Christmas album and any more of his music, and there is lot more for me to explore, but that is beside the point.

I original typed "journey" instead of "Christmas" when it came to the title, so was that a sign? Was it a sentimental journey my ears had taken as I listened to some of the recordings again, and others for the first time? Yes, and it will be one I attempt at least once a year.


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