St. Vincent "Masseduction"

Take one look at the cover of the album, and you can assume that Masseduction may reel in a whole slew of new fans. The music can be quite sexy, if you aren't intrigued by the lyrical aspect of  "Pills" and its subtly suggestive nature, the title track's production, refrain and Clark's vocal delivery ooze sensuality and visions of love being made. Mass Destruction? Only for the weak.
You don't need to be a 'Sugarboy" to question the collaborative reference of Queen and Ghostbusters  but soon enough it would make sense.
There was proclamation of Mass Destruction, but it may not be on as grand a scale as we presume, or as simultaneous as we expect, but the answer lies in "Los Ageless." The mind might be hidden there as well.
Sentimentality and Slink can make strange bedfellows, the former of which sees Clark in a multitude of roles in "Savior," as she professes she isn't; she cannot save her lover from the fantasies and desires which may evolve into something more outrageous. or from this scenario she has found herself in, "Love you to the grave and farther," and with that maybe there is some sentimentality too. "Happy Birthday, Johnny" and "New York" leave me with little to comment, but not without a heavier heart.  Do I "Fear the Future" of St. Vincent's music? Clark can go in a completely different direction and she can still be just as engaging as long as she remains true to herself. Pop music has a bad rep, but that didn't stop Clark from diving into a genre of music that some may classify as "derivative" of those that came before it, and upping the intelligence quotient while keeping it fun.