As she sings in another pleasant tune, "Puppies are Forever, and not just for Christmas; of course their cuteness will remain, tis no question of thine.
Even with the preceding paragraph written in years of Christmas past, the joy and magic of this music can last. When a snow person can only survive in the colder winter months, with the music at its most impactful without self-deluding fronts. The song itself is a confession of love to a "Snowman" which could parallel a seasonal love that one arranges to free themselves from the shackles of loneliness in "the most wonderful time of the year," which for many is not as dazzling as the light displays that appear.
From their love, Sia had vowed to protect their little "Snowflake," a winter lullaby that can bring a tear to freeze as she lets her little darling go amongst its kin within the chilling breeze.
It does not sound as a time for celebration, but maybe that's why the "Ho Ho Ho" is accompanied with a bottle of rum; and recreates that crushing scene where Ralphie was nearly kicked in the face because of his gift request.
Underneath the boot, and Ralphie trying his best, he nary seemed to have a chance, nor her with romance, whether the mistletoe or Christmas lights, buried in the breast, sorrow, impervious to seasonal distractions hollow.
As silly as the proclamation that "Everyday is Christmas" can be, used by more than just artists within the scene, it is declared with sincerity and even when the season is over. Even though the statement may cause one's eyes to roll over at the metaphor you may find yourself humming it anyway.
While the first song sets the tone with what sounds like fun, we take emotional detours taking our heart for a run; decorated with sweet things to beckon some more. So, the coal from the sins that you have fulfilled or left undone. "Santa's Coming for Us," each and every one.
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