The legacy of Daft Punk remains "Safe and Sound," yet this enticing introduction to their next chapter in their career includes a satisfactory impression, and does the former justice.
The next track is worthy of its name, but what follows is studio magic worthy of its beckoning instigation "Alakazam!" Bringing the dead back to life can be quite thrilling; yet it sounds like the undead have a sporadic wheeze.
The fun-keys and the arrangement as a whole, track four, is aptly titled, and why "Stop" there with the praise?
I must state that the "Chorus" is unlike any that I have heard in awhile, haunting, yet overstays its welcome.
As four the final songs, it took four years to figure out what to say, or finish the review.
"Randy" reminds me of an after-school special, but I cannot tell you why; unless the "feel good" sound all around is sufficient, and this may be contrived, but I cannot explain why Cheers comes to mind.
Fans of "Heavy Metal," the genre and all of its sub-categories, may appreciate the organ arpeggios in the song, and feel compelled to bang their head. It's oddly electrifying, even AC/DC fans may appreciate the song for what it is.
That alarm in "Love S.O.S." is appropriate, and the song as a whole is nice, but it disrupts the flow of the positive vibrations I was engaging in, but the wrong type of love can do that, so you can say the song works on a different level. I still say that it was a close call that saved the album from ending on a regrettable note, the last song speaks for itself instrumentally.
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