Bobby Womack "The Bravest Man in the Universe"

Bobby Womack may just be The Bravest Man in the Universe making a comeback after 18 years; when it comes to an album of all-original material. Sixties’ soul with modern-day touches? Sounds risky.  He has worked with Albarn before, such as on the mystifying stylo. The title track sets the tone for what follows, and what ensues sounds like its’ accompaniment recalls sounds of the Beatles, but if not “Please Forgive My Heart,” and ignore my idiocy. The acoustic “Deep River” may not seem very poignant, but it is a short rush with more meaning than one can assume. The female vocalist of the past year, who sounds like she originated in the wrong decade, assists Womack in some “Dayglo Reflection.”                                                      The next cut sounds like pure magic, but at the same time reminds me of bands like REO and Styx (among others); it causes me to ask “What Happened To The Times” when music like that was being made? There is still great music among us! It may take a little bit more effort, or might be right in front of you, but you must be willing to listen with an open mind! Russel’s previous producer gig with Gil-Scot Heron led to what may be a “Stupid Introlude” to the next cut, but in those 21 seconds all your attention is focused on some of his last words, and they’re not basic. This may be a “Stupid” comparison, but I think of Stevie Wonder when he was looking for higher ground; it could have been simply the first line, but there are absolute differences (from the vocals to the percussion). The production of “If There Wasn’t Something There” could have even been an upcoming Timbaland track. The duet with Fatoumata Diawara is both a lesson and a blessing, or maybe that is just who the song is directed towards. The final song’s bloopy production and chugging beat is married to a melody over 170 years old! “Jubilee (Don’t Let No One Turn You Around)” turn you around, turn you around, don’t let no one turn… angsty, not profound?