Noel Gallagher's High Flying Birds

A band that may be just as famous for their family feud as they are for their music, or maybe more well known for the former. It may be the last straw as the band had split, and formed two different bands. While I didn't really mind the Beady Eye their music gave me, I didn't love it. I must say I prefer the majesty of the opener on Noel's solo debut than another song about a certain  four letter word; wait they are both about the same thing. While I do love both songs I like the fact that even though 'everybody's on the run' that there is still time to "Dream On." The latter's final minute and a half may not be full of attitude, but it still kicks a little brass. I'm sure that "If I Had A Gun..." I probably would avoid wasting bullets trying to shoot a hole in the sun despite the romanticism in the lyrics that follow; nor would I bother trying to use that thing. The harmony reminds me of a time i went fishing with my friend and  I said What a Catch, Donnie! Ok, I am not an avid fisher, nor do I really have a friend named Donnie. I ask you this seriously, would you prefer to sit between the Beatles and Stones, or have front row seats to "The Death of You and Me?" I prefer brass over braggadocio any day, and it is more fun to go to a circus than watch a band perform who think they are as great as those two bands; both are good songs though. "(I Wanna Live in a Dream In My) Record Machine," one that doesn't require winding would be fine "‘Cause I like what I see/with my eyes shut" and I aim to "Give hope to places/where it can't be."  I cannot believe it! WAL! "AKA....What A Life" I mean she's so high, full of good feelings, and drives on drums behind flying automobiles driven by families by the last name keys; those other guys with beady eyes can sure bring the light, so it is really a matter of preference. The next song is for anyone really, especially the "Soldier Boys and the Jesus Freaks," but it seems like the horns were added just for me; I must say I really think Noel has a fine singing voice. Cupid shot one of his weapons of love after drinking a little too much, and too make it worse he shot the wing of an angel and caused a clusterf*ck "AKA...Broken Arrow," but the pointed half must have still been moving because I fell in love with the muted shimmer and psychedelia. "(Stranded On) The Wrong Beach" seems like it is not nearly as bad as standing on the edge of noise, but I guess that depends on personality; are you more anxious of garage rock or funky country ? "Oh no, depends on the weight of my load." The final track off of the standard record was actually the title of their retrospective released six years ago.  I would not only say the song ends the whole record on a fine note, but the end of the song itself seems to be a day in the life in another time period dealing with a similiar struggle: the inability to "Stop The Clocks." I'm sure we all have our dark days, and all that we need is to "Let The Lord Shine A Light On Me, or you, and regain that hope, but i feel anew as I walk in that house of brit-rock gospel. The final bonus track is one for "The Good Rebel," but there is a reason it is a bonus track.

Bon Iver

Three years after the release of their critically acclaimed, and commercially successful debut they return with their self-titled sophomore effort. Considering they have had three years( ok, like two at most) to promote and tour for the album they were able to travel to all sorts of places, and some of them inspired songs off of their second record, and maybe even captured the band in a certain point in time. Our first stop is "Perth," (capital of Western Australia) which is filled with a militant's drum-line, and  harmonies that are reminiscent of sounds that are higher than broadcast quality, and a touch of the sax. Let's take a trip to "Minnesota, Wisconsin" while riding on a canoe, taking in the view surrounding the Mississippi, and listening to beautiful banjo; the vocals sound just as nice, but sound different now that we are in a new location. If I may, I cannot listen to the voice of Vernon without thinking of Anthony Green (Alexisonfire, City & Colour). "Holocene" was nominated for a song of the year award at the Grammy's and at first I rolled my eyes, but several listens later I see why.  One of the most upbeat songs off of this record also is one of the few that does not recall a location, but the violin that reaches for heights of the "Towers."  Next Stop 'Hinnom,TX,' but I must warn you that it technically does not exist, and unless you want to enter the "Valley of Slaughter" I suggest you skip it; the sound is misleading, and he sounds like Tunde from TV on the Radio.  Reccurring piano notes are accompanied by the distinctive falsetto of Vernon, which together seems to have a calming effect on the listener, and touches of more strings here and there, sparse lyrics, and after the stoning it is probably a good idea to throw it all in the "Wash." The trip to "Calgary" seems like it is not worth it, but halfway through, it proves it was worth the weight; that of which when carrying the demons of your mate, which may subside. "Lisbon, OH" may be short, and easy to miss, but if you could only skip one tune make sure it's not this. I think of BT when I think of the vocals on this song, and there is something about this last song that makes me love it. I am much too underqualified to describe why, but it seems like the synergy of vocals and instrumentals, harmonies, and just the vocals themselves. I think it would be best if 'Beth/Rest' her eyes because this dream seems all too real "Aren’t we married?/I ainʼt living in the dark no more/It’s not a promise, Iʼm just gonna call it/Heavy mitted love." Beautiful. An album for those who love road trips and scenic routes without leaving the comfort of wherever they are? Perth, Michicant, Hinnom,TX, Calgary, and Beth/Rest are probably my favorites.

Feist "Metals"

The lyrics in this song ring true, because if you cannot find "The Good In Each Other," then you most often will find the bad.I don't know if songs can find the good in me, but I can find a lot to like in the first track besides the funky folk riff with that hand-clap accompaniment. The song slows down as the chorus comes in for a horn inclusion, and then they all reconvene at the end for a fine finish. A walk in the "Graveyard" does a depressed and superstitious soul good; well in this one anyway. She seems to have fallen under the blues until it's a quarter to three (in the morning), and Feist and her fellow choral doppelgangers "...bring 'em all back to life."  Taking another deep breath I "Caught a Long Wind," and I realize sometimes it is best to take in some fresh air.The next song takes almost a minute before she comes in, but..the peak of the relationship they had has lowered;  the intense love melted some of the ice and now refrozen in a depressed state. Feist asks her lover "How Come You Never Go There?," and maybe his heart is too cold to bother trying anymore. The next song has been called the liveliest, and I would say most theatrical, track. In fact, it wouldn't be far to call it "A Commotion," but neither would  be far to call it a great addition to the album. Just remember that "If it rips you all apart, the grudge has still got your heart." Negative energy eating away at your soul?  Maybe it is this dreamy pop married to melodramatic strings in a heart-breaking tale of when "The Circle Married the Line" that reads like a tale with or without you. I'm not sure, but do you think that these "Bittersweet Melodies" may be under pressure? It's a slow contemplative mood, but "like a sweet memory" it lives on. The next song sounds like one written by an "Anti-Pioneer." Again it takes over a minute before the song starts rolling as her delivery tiptoes in fits , but then around 1:30 we are greeted by an ever present tamborine and horns and once the choir starts to sing, "IS THIS THE RIGHT MOUNTAIN/FOR US TO CLIMB?" we are greeted by a drum, and based on the sound of it may be the size of the mountain. The last line is a mere faint echo creating the illusion of a valley. I couldn't help but hear Sarah McLachlan in her voice as I listened to the "Cicadas and Gulls" on the ship I rode as they scraped that d*mn hull . Another song about a contradictive relationship where to "Comfort Me" would be the opposite definitely, but it may not feel so bad to sing along to the end of the song actually. "Get it Wrong, Get It Right" I didn't hate the album, but it wasn't my favorite either. I'm not saying it was trash because that is defintely not true, but what I cannot understand is how she ended the second half. The Bad in Each Other, Graveyard, Caught A Long Wind, A Commotion, Bittersweet Melodies, and Undiscovered First.

Thurston Moore "Demolished Thoughts"

I may need "Benediction" to guide me in how I approach this record's blurb. But knowing his origins, and then hearing that this was an acoustic record, I became disappointed; this record is better than I had thought. Maybe I will approach it with complete honesty, and no silly BS,but I am always honest in my reviews (if you can call them that). It has been said that these might be some of his most personal songs he has written, or most obviously personal because there is not all of the added psychological noise, distortion or effects, or any material made to mess with you. However, he cannot break a creative habit like that, and why would you want to? There are ways to still add those touches, but it must be done a different way. The second song is completely beautiful, "Illuminine," actually, heavenly harp is present I believe. The next track sounds slightly spacey/psychedelic, and folky. especially when the chorus is concerned; with a choir of Thurstons. The song is full of those anxious strings that sound eerie, but are still as inviting as a blind date: full of mystery, seems harmless, but you have a feeling something can go wrong any minute. I sometimes have trouble with "Circulation," and if this song could help that issue well..It doesn't matter. It is true that "Blood Never Lies," you can hide the evidence but it can be found by those lights. There must be an "Orchard Street" near some mushrooms or even a swamp, as I cannot help but notice how the strumming sometimes sloshes back and forth. As an alligator seems to attack I get really anxious, and I think it is because I am about to die, but then I realize it is the tension created by the strings and all of the noise that join in the party after four minutes. After that near-death experience I find solace "In Silver Rain With a Paper Key" which I am currently protecting, but it seems odd to protect the key when the house is made with the same material, and by now it would probably be gone. "Mina Loy" makes do with what little lyrical accompaniment it has, but is there something more powerful than unconditional love? There seems to be plenty of "Space" in this song; I mean it sounds like you are just cruising in a space pod enjoying the scenery for the first half of the song, until the space police discovered that I committed a crime..What? I gave Thurston a ride. He was carrying these golden coins; I thought it was weird, but I didn't think that they were stolen. That sfx two seconds before the song ends. "January" may be one of my favorites, and it's filled with promise; you have about twelve months to do something fantastic and make this your year every time it comes around, or less than twelve, but at least five months. My favorites: Benediction, Illuminine, Circulation, Orchard Street,In Silver Rain With A Paper Key, Space, and January

Vanessa Carlton "Rabbits on the Run"

Things I have learned from her past records were that even if she Be Not Nobody, it wouldn't take a thousand miles to find some surprising, and/or spunky numbers unlike her biggest hit on her debut. We also learned that the sophomore slump was no match for Carlton's inborn Harmonium. Finally, that even out of Heroes and Thieves, the latter are not the only people that steal; it is just that heroes may unintentionally steal your admiration, love, or something else.  Please don't take this to offense, but "I Don't Wanna be a Bride," but I may play one on T.V. It is not as if there is no commitment, because she enjoys the company, but prefers to keep her own last name and independence?  I think the majority of us have been to "London" for at least the first verse, and then at some point most of us realize "that heavenly creatures never come," or maybe they are not exactly what we expect. Is that a song revealing her opinion on predestination over making one's own luck? wait for it...It's possible, but it is also a song that sounds like one we can expect from her. I think we all have at least one '"Fairweather Friend," but they don't always reveal themselves until you need them most; the song itself sounds a little more upbeat despite the fact that her friend found  someone else. I did like how Carlton's vocals were presented in the next song as she sung a tale that was haunted by these harmonies from graveyard folklore declaring that every grave was a bell and a string attached to the finger (if I remember correctly) and if they were still alive you would "Hear the Bells."  I feel like writing a letter to someone, but I cannot figure out how to finish it; here it goes. "Dear California" it feels that your beautiful rays of sunshine had brung Vanessa to that same state of mind and wrote a lighter number. She seems to like you alot, but please don't disappoint her like a certain fair weather friend, because even if you rain she will probably still love you. What kind of heroes are featured in "Tall Tales For Spring?" Well, there is energetic percussion , vaudevillian piano/strings, and a guitar riff that can be compared to Paul Bunyan's big blue bull (you hardly ever see it; especially like that). If you wanna be ok, you can just cover it, but if you wanna "Get Good" you can re-interpolate the sound that takes you to Africa in dreamier, more laidback affair. If you join "The Marching Line" love will still feel like "a bullet in the chest," but if you march to your own beat you can prepare yourself for the healing process, and when finished you may be ready to join someone else in sync and create a driving, but less dramatic drumline. It seems as if everything that needed to be said was done so,and that "In the End" Vanessa Carlton is either singing underwater, or we are drifting to sleep as the piano sends its listener away on a sailboat of clouds. I Don't Wanna Be A Bride, Fairweather Friend, Hear The Bells,Tall Tales For Spring, Get Good, and In The End.

Chickenfoot "III"

Seems like the boys of this band had caught Chickenfoot, and when I say boys, I mean men, but you're also as old as you feel, and music keeps you young. Great...after that rambling sentence you are not going to read the rest; eh, so be it.What are the symptoms? Besides some rambling, they are "in the pocket" drumming of Chad Smith, the guitar wizardry of Joe Satriani, the bass of Michael Anthony, and the distinctive vocals of Sammy Hagar. The sounds takes the best aspects of their respective bands, and instead of showing each other up they work together. Other symptoms? I think it debilitates your ability to count because this is only their second record. "Last Temptation" reminds me of Soundgarden; at least vocally. The former track was okay, but this track was more than just "Alright." It has these driving drums, and sounds that will dare you to put your money where your mouth is. After the last song I feel ready to party, but this next song is a "Different Devil," and now I feel like I might just "Run away!/Into the arms of something new.." or look for Eagles in the sky. "Up Next" we have an energetic number with a lot of swagger, this funky hard-rock groove, and a lot of attitude; the lyrics are fun to listen to in this song, and you get an idea of some of the band's beliefs when it comes to the afterlife. SO I was just listening to this next song and getting my review thing on; I was thinking that "it's not like we haven't heard this before," but I dug the rhythm and the crescendo and...Hey! Satriani! "Lighten Up!" Could you please stop showing off? You do the same too out there! I know the writing is atrocious at best, but stop taking life too seriously! This next track seems to sound the closest to an RHCP track (it might be the rhythm), and is one of my favorites; The bass is subtle, but is hard to ignore. The next one is another raucous rocker filled with plenty of power, passion, and includes 'three and a half letters' from fans who are in need of a job and need help; it is hard to determine what is more enthralling: the accompaniment or the tales themselves. Hagar screams like a bad- a--m******** in this song. Ok, now back to the party songs, and while this "Big Foot" is on the gas, my finger will be ready to hit replay (at least once more). I would have to say that for someone with "Dubai Blues" they can sure make an upbeat groover with a fitting finale. They say that "Something Gone Wrong," but I find nothing wrong with Hagar's vocals, the singalong harmonies, the bluesy licks of Satriani, or the whole rhythm section. My Favorites: Alright, Up Next, Come Closer, Three and a Half Letters, and Something Gone Wrong.

Scotty McCreery "Clear As Day"

It is Clear As Day where some of his influences lie, and Tim McGraw is one the top of the list; just in the voice alone you cannot ignore the similiar tonalities. The first song seems like its sound came straight "Out of Summertime" with those memories recalled as it is accompanied by energetic percussion and banjo (which doesn't often exhilarate as much outside of bluegrass). The next song is full of passion, beautiful backing vocals, and may not have the energy that the opener did, but "I Love You This Big." (Seriously, it would be silly to match that energy with a song that has this much sincerity). Summer lovin, happened so fast...I don't need to really elaborate on what this memory still  "Clear as Day" is about; I'll give you a hint, it involves a special someone. "The Trouble With Girls" is that they are so darn pretty, and hard to understand; almost like they are on another planet. If there was a science dedicated to unlocking the enigma that is the female mind that might be one of the rising careers in the field. With all kidding aside, the piano lead, string assisted introspective that sings "Yeah, the trouble with girls is nobody loves trouble as much as me."  I wonder if Mr. Mom also lives in this "Water Tower Town" full of  god-loving, tea-favoring, football-championing people who are not only full of energy, but full of heart as well.  A "Walk in the Country" sounds like a splendid idea "it would do us some good, to take a walk in the woods." The next song is sung by a true country guy, because even though he was in love when his hands held the wheel of that Chevy the first time, or he felt love singing his first original song he shamelessly announces that her love is "Better Than That." I will not say much because this song could probably makes you cry enough tears to wash "Dirty Dishes" with when you feel the sentimental heart in the song. OK, enough blubberin' even though "You Make That Look Good." The next song is something teenagers, or even anybody else, can relate to because it deals with a realization that comes with age; sometimes it just isn't there, but the love that a parent has for their child doesn't become as clear as day to them until they finally leave the house and realize that they just wanted to help them get their feet "Back on the Ground." It seems "That Old King James" is good for more than just collecting dust in people's houses, reading scriptures, and being used as a centerpiece, but saving lives as well "right there in the middle of hell." It seems a little melodramatic, and a little one-sided, but people's faith (regardless of what they believe) has helped them survive many turmoils they might not have without it. Some of my favorites: Out of Summertime, I Love You This Big, Water Tower Town, Walk in The Country, Dirty Dishes, and Back on the Ground.

They Might Be Giants "Join Us"

They Might Be Giants, they might be audiophiles, they might be well-educated, they might be good-intentioned, they might be children at heart (which explains why they have a lot of family-friendly music), but they are not good musicians. I know they have great senses of humor, so they can easily disregard that, and should; I did not mean what I said."Can't Keep Johnny Down" Are you that uptight? "You probably get that alot." Acoustic strumming, metronome beat (at first few seconds), tambo, vocoder, handclaps, and fun rhythm and rhymes all fit perfectly in this "Old Pine Box." There is more memories to make  "Canajoharie"  than just being "Where a frog flipper first evolved on the day/When a daring mudskipper dragged itself away/Where a rocket ship/Experiment went awry/When the prototype/ Exploded on the launching site," but the keys, accordion, that addictive hook and rhythm are reasons to love it too. What do I think about the following track? "Mind your business/Mind your business/Mind your never shut, Quonset hut business." I am pretty fond of the horn arrangement and sax solo, drum machine, and...is that Stick Stickley? The lyrics of "Cloisonne" are fun as well. The next song's upbeat tempo and summery sound makes it a perfect one to just "Let Your Hair Hang Down." I must ask..are they planning a "Celebration" because they manage to merge a disco sound with some some funky guitar and chameleon-esque percussion. The next song is hard to reveal what is so likeable, "In Fact" it is almost impossible not to like it. I can name a few things: the bass, the pace, the vocals (i mean it, look at my face), the trumpet, percussion, lyrics and the last twenty seconds let me give you a taste( reminds me of Pink Panther). The next song's subject is serious, but the sound and lyrics beg to differ. The multi-layered instrumentals work real well with the sarcastic delivery concerning the subject in a song that asks "When Will You Die?" NO! Not you, I don't even know you, but maybe it would be nice to. I don't even know who it was written for, if it was written for a real person. "protagonist'(WriteMore). With this next fun track, about a girl some guy met only a minute twenty five seconds long. It was told that she was reckless, and the guy was flippin' wrong. Why does it matter what I say? "Judy is your Vietnam." "The Lady and The Tiger" seem to go the distance trying to escape their own lives they seem to despise in this drum-machine, faux-hop induced rhythym, trumpet incorporated track that tells a nice little story full of fun rhymes, which at times...wouldn't you like to know? Listen to it..GO! "Spoiler Alert!" I sometimes tend to reveal some of the mystery in the songs before you actually hear the songs; this creates a problem because considering what you like and what you have heard you expect something different than what I portray. I do not do that intentionally, and I don't do it all the time, but for this song I will not really do that. All I will say is that an instrument is played only once on this record and it is in this song, I really like the way the vocals are presented in this one too, oh! Did I mentions the lyrics? Silly, ok that is it. I think it would be safe to say that there is a reason why this guy is a "Dog Walker," and is not really a people person. I would just like to know why this little guy is as mad at the world as he is. Does he hate the cowbell or the cymbal heavy intro? What about the guitar or the warbling frog? Wait..is he a vampire vanquisher? He said someday he will be a dog..maybe he will become a werewolf, and they don't like each other that much,right? Where will you be in "2082?" I  probably will be dead long before then, and I'm completely fine with that. The minimalistic instrumentation, and really fun rhythm may catch the ear, but doesn't detract from the story that is told in the lyrics and the interesting possibility of its occurrence. I feel bad for the guy that was smothered though.  I don't know if you like courtship TV, Nirvana, Woody Harrelson, Bollywood, cats, anything esle mentioned in the song or the song itself, but it may be safe to say that  "You Don't Like Me" because I can read the expression on your face and it says "EW!" "DOUCHE!" and "This idiot cannot write for s---, and doesn't know what he's talking about." Best  tracks : Can't Keep Johnny Down, You Probably Get That Alot, Cloissone, In Fact, When Will You Die,Spoiler Alert, Dog Walker, and You Don't Like Me.

Lil Wayne "Tha Carter IV"

How do you follow up a record that sold over a million copies in its first week? By making it memorable, and versatile enough to please old and new fans. Unfortunately many people did not enjoy this record too much, but I don't think i'm the only one. Let's Say that the "Intro" to a great record is always important, but it is better to end on a high note than to begin with one. Weezy is p*ssed off and cocky as always, comes out to ".. f*** everybody like a Scorpio/Still running s***, I’m on my cardio/Boy I’m going in, like my water broke and has plenty more great one liner here, plenty more about girls and h***, p******, and c**** t***, weed; a "n**** countin’ money, you n***** counterfeit." The instrumental backing is undoubtedly strong and catchy; which leans pretty nice to the string-laden/horn- infused melodrama and the marching band on paper drums beat that work well with his verses ( partially angry, slightly cryptic, and not without his references). "Light that Ashton Kusher, I'm a limit pusher/See y'all dead meat, and me I'm just a butcher/I do it for the money, man I am such a hooker/And freedom was my girl, until they f****** took her." The next song prepares wayne for his armor fitting to be "MegaMan" and good thing his head doesn't need a helmet because it wouldn't fit in one of any size; with Ibuprofen,Steve Harvey, gangs, baseball, ventriloqusism,the power of the almighty dollar,  and.."Rap game dependent on me like a bungee cord/Fear nobody but God almighty/Shoot that m*********** till I get arthritis/I'm a beast, I'm a a**, I'm ahead of my class" He may be cocky, but we cannot deny some of what he spits is true. The next track was the first single and features interpolations Harry Belafonte's Day-O (the banana boat song) which sounds like the cutest little dwarves walking alongside Weezy and Cory Gunz who also sing a cute hook alongside the great drumachineline.  There may be more young money/cash money posturing, but also includes plenty of conviction in the delivery and a lot of emotion; he seems he is almost out of breath. Plenty of good verses calling out the paperchasers, those that talk through their butt, or just talk, but this family picture he descibes is also great: "life is the b****, and death is her sister/sleep is the cousin, what a f****** family picture/you know father time, we all know mother nature/it's all in the family, but I am of no relation." Let's say that the instrumentals and piano during the "Nightmares of the Bottom" don't match the title; they sound real positive, even though the verses are addressed to haters, cover the (or his) struggles that come with fame, and possible fear of coming down of his high horse. The master's apprentice joins Weezy in this track with instrumentals which are perfect for a rainy night , and a realization that "She Will" give it up to two of the realest in the game right now, but would also give it up to anyone else for cash. If you wanna know "How To Hate" Lil Wayne and T-Pain, this song will not help your case because they make a great duo in this track that is heavy on melodic autotune and more good verses, and he tries to be punny using his name to let every know that when it waynes,you know the rest. The song that will be the last one about that girl "That owe you everything/At least a wedding ring," but was not even worth the time because she was easier than A,B,C. Let's take a little "Interlude," which features quick versery from Tech N9ne and some great bars from Andre 3000; who hold no bounds as this beat is able to come up front in line. "John" brings on the riddling and spacey keys that also include sfx; might be a little scary to a five year old! The big bass bump, and the glorification of guns and glory that show no fear even (If I Die Today). I need to say that this confessional could be about someone who called Mr Carter the baby daddy, and the instrumentals sound as if an "Abortion" occured instead of a hooky song worthy of replay, but if it was it would be a song with a message lost? "I know your name, yeah/Your name is unimportant/We in the belly of the beast/And she thinking 'bout abortion." What's "So Special" about this song? Not the lyrics I'll tell you that..Just being an a**, but they aren't as strong as previous tracks. This song features more great backing music and some baritone from the John Legend on the hook though.  The sister, or brother, of hate teaches us "How To Love" which definitely was the bigger of the two singles and is very melodic and sentimental; focuses more on melody and is directed towards a teen fan as it was said. Weezy has his ambitions, and the previous entry in this series included his ambition to be Dr. Carter which was one of his best songs off number three.He's going for "President Carter" now, and this is another strong track lyrically and instrumentally that segues into a song that we can easily say that "It's Good," but would prefer to say it's great with the samples of the Alan Parsons Project's The Cask of Amontillado, and proficient verses from Weezy; as well as Jadakiss and Drake. Now this is what we're talking about for an ending in the "Outro" which features Bun B, Nas Shyne, and Busta Rhymes who basically thanks Tunechi, thanks for "...giving us a whole 'nother classic with Tha Carter IV. " Either I'm just as high as Weezy, or  it's just because "I Like The View" of the lyrical  bonfire and the rest just makes me love the sound. The next one is phenomenal, and features a guy who takes us to Mars with his beautiful vocals with sweeping  melancholia; hooky track that features strong verses from Weezy, and is a song most of us can relate to because we have all felt alone and looked in the "Mirror," feeling worthless at times. I guess some feel so worthless they go for "Two Shots" of whatever, which is what this song is; not bad, but there is a reason it's a bonus track, the other two could have been on the regular disc, no problem.

The Muppets "Green Album"

We  have been blessed with not only The Muppets soundtrack for the movie, but one of the best albums dedicated to the color Green with covers of Muppets song for indie-alternative-punk fans alike! aMaZiNg LiNeUp on this album, that starts with a very interesting rendition of the "Muppets Show Theme Song" by Ok Go! To make things better, the band that made their own Green Album are performing the next track as they ride on the "Rainbow Connection" with Hayley Williams (Weezer!); in a beautiful low key rendition that stays true to the original and doesn't take these guys outta their comfort zone. I couldn't even tell that The Fray were performing "Mahna Mahna" until I had seen their name by the song. Not that it was a complete stretch, but the registers being sung didn't match Slade's usual; then after forty five seconds I realize I can hear his voice. I love the fact that the Alkaline Trio perform a very fun and lively version of this song has me "Moving Right Along," and ready to dance, or bob my head. "Our World" is lucky to not only have The Muppets, but My Morning Jacket as well in this psychedelic-banjo lead (?) edition with many sunny harmonies and melodies in this beautiful song that is so Wonderful. It only took Amy Lee like five years to get "Halfway Down The Stairs," to hear her lovely voice on a new recording, but the other half of the stairs only took two months before we were able to hear a whole album featuring her voice. Sondre Lerche starts a conversation with "Mr. Bassman" in this upbeat and entertaining version featuring lively strumming and lots of energy that would be perfect in a circus setting, or maybe for a marching band..yeah! Let's go with that idea. When I first started listening to the "Wishing Song" by the Airborne Toxic Event the beat reminded me to Word Up, but then I didn't think I actually needed to. I figured I would experience the "Night Life" with Brandon Saller (of Atreyu?!). I was surprised when I first started to hear it,and despite the music his band is known for it does not seem out of place. It has just the right amount of hard rock edge without alienating listeners who might not be a fan of that type of music, but that's what makes this album great because of all the different artists! It's also interesting to see what they do with these classics. Speaking of classics, a fellow animal, but not muppet, empathizes with Kermit's sentiment that it ain't easy "Bein' Green."  Matt Nathanson sings an anthem for those that are never happy, or those that just need some luck;whether in love, life,or anything really.I cannot say I disagree because  "I Hope That Something Better Comes Along." The first time I heard Rachel Yamagata was when I was captivated by the sound of the flowing river ,and Yamagata sings "I'm Gonna Go Back There Someday" in a version just as enchanting. I do have my favorites, but I suggest you listen to the whole thing, or the songs that spike the most interest!

Arctic Monkeys "Suck it and See"

Has this band really gone soft? Why don't you Suck It and See? Alex Turner starts with a croon that is worn well on the opening track. 'She's Thunderstorms,' pounding drums, a taste of nostalgic brit-rock(Will I be speared?). I like the lyrical aspect of "Black Treacle," and then there is the We're going to critique this disc 'Brick by Brick.' I'm probably too lazy for that, but it has been said that this is one of their best tracks on this disc. The song is full of energy, the croon works well with the classic hard rock/blues vibe(no post-grunge dirge) with a slight taste of psychedelia (maybe not...but the harmonies and the riffs confuse me cause I'm a dumb---). Oh, and even though there is not much to offer lyrically, the rest of the attributes much outweigh the cons. The bass is not afraid to bring out his soft shoes for 'The Hellcat Spangled Shalala' as the driving rhythm is a fine dancing partner and the distortion is a little too afraid to ask the bass for a dance y comes here and there. Are you tired? The dancing was not that intense, and was only a couple of minutes. Just wait a second please, "Don't Sit Down Cause I've Moved Your Chair." The boys seemed to have descended into the devil's lair, or their tuning has at least, trying to monitor the macarena, as the lyrics remain snarky but respective of their hosts, because who wants to tick off their own demons? Usually libraries creates pictures the intellectual, quiet, introspective, (some may even say boring), and many other adjectives you would like to add. But These "Library Pictures" only agree with the first word, as well as rambunctious, fun, energizing,and indecisive as they shift moods and grooves first starting with a laidback rhythm. I write all my own shizz, and I do "All My Own Stunts" (not that I've really had to do much, but still) The guitars seem to be fearless of the spotlight and drums, but just because the bass is a little shy does not mean that it does not have any influence.The bass with the first lineTturner sings seems to sound like a 'Reckless Serenade' to  lithium, and then "those twinkling vixens with the shining spiral eyes" change my point of view (I'm talking about those beautiful guitar notes). The "Piledriver Waltz" is the lyrics and the music respectively; he writes some snappy lyrics without being rude, and relaying them in a calm manner. WHat about the title track? You may never know, but "That's not a skirt girl that's a sawed off shotgun/And I can only hope you've got it aimed at me." Girls, and what they do to you, all different kinds, and how they make a fool outta you is what this song is about. If you think I loved this record "That's Where You're Wrong," but I did not despise it."You're not the only one/That time's got it in for honey" might be one of the best lines in the song.My favorites: She's Thunderstorms, Black Treacle, The Hellcat Spangled Shalala, Library Pictures, and Reckless Serenade.

Augustana "Augustana"

I can't help but hear an arrangement that may "Steal Your Heart" because of it's sound, but may be even more likely to if you are a fan of Mr. Springsteen. It reminds me of what The Killers did on their second record which could have been an (un) intentional homage to The Boss, but the influence was undeniable, and this record is no different. "Wrong Side of Love" I can't help but hear a little bit of Mr. Flowers when I listen to Layus sing. Sometimes I have mysterious ways of making connections, but as soon as I am "On The Other Side" of the chorus I can see the band performing over the grand canyon under the rising sun; somewhere between both the aforementioned artists. Some people have hobbies, and "Counting Stars" seems pretty intimidating because you can easily lose your place, but if I had help from funk-less Dani California full of strings, beautiful harmonies and Layus's distinctive twang of his vox (cross between Petty and Flowers?) A song that documents that feeling of indestructibility when they are in the arms of their everlasting love. We do all live on "Borrowed Time," and these three minutes and nine odd seconds were worth spending on acquainting myself with the rhythm. "Sometimes in life you meet the people that you think you trust/Wake up one day and find that everything had turned to dust."  The bass is still in the background, but it's now a little more audible, and likes to play a game called hit me with your best shot. However, this is a little more difficult, even though the players couldn't really see me I still got "Shot In The Dark,"  and I have this song stuck in my head. Maybe it's the chorus, they often are sharp shooters when it comes to making a dent in your memory bank. If you are with a person who has always been there for you, at your worst and best, will always will give you the benefit of the doubt, and is attractive (but not as attractive as you hope) maybe it's best to give them a shot because too often people realize that they had a good thing after they become "Someone's Baby Now." Thenext song is not as fierce as a "Hurricane."In fact, it is quite the opposite, and features some good ol' mouth organ at the end.  "Just Stay Here Tonight" i say "It doesn't take a sign to see/The best things never come for free/and even if it's made to bleed" it only means i love you because "You Were Made For Me." Just like the minimalistic instrumentation was made for the message the lyrics present; We can love someone so much to the point where we believe they turn all the wrongs right, or the world will stop turning, but just because you are aware that it's kinda naive to believe that, it does not mean you don't love them. Steal Your Heart Away, On The Other Side, Counting Stars,  Shot in the Dark, and Hurricane

Jennifer Lopez "LOVE?"

Four years after her last record, and now she releases this one. Is this record one to hate or one to Love? She wastes no time with the opening track and first single that will definitely have you dancing "On The Floor," and who can forget her charismatic partner, Pitbull? The next song sounds like a "Good Hit" as long as you ignore some of the bragging and just dance to the beat. "I'm Into You" Lil' Wayne, and I appreciate what you do (for the most part); there is a reason why it was a single. The previous song is okay in comparison to the next one which is full of magic, and who's gonna love you the way you sing some of the verses? I will, and this song may even show me "(What Is) LOVE?." The lyrics seem more personal than previous tracks revealing her negative attitude toward relationships"People told me/I should write a love song /'Girl you sound so angry, You could use some variation'/ But I'm lonely /Negative relations" and more if you would like to find out. Lopez hangs out with Rick Ross in The Dream where love will 'Run The World'. The next song sounds perfect for a dancing with your "Papi," or a beautiful girl (or guy) floor, and makes sense as to why it was a single.  I prefer a more personal song to be a single, and I would request this next track to be played on the radio (because it really touches my heart) "Until It Beats No More." Not only does it seem to have more substance,but it sounds more interesting than the previous song. I understand that there needs to be diversity (light-hearted, fun,serious,sad,etc..), but that is why this song should also be a SINGLE! The next song's hook is "Invading My Mind," and these auto-tuned aliens are planning to infect my temporal with this chorus, possibly mess with my hypothalamus, and even attack my occipital or parietal, but I came prepared. After her heart breaking several times thinking she was with the one, it had caused the heart to contort as it tried to repair itself; in mid-repair it was broken again making the reform even worse causing J Lo to become the "Villain." If it makes you feel any better J Lo, you never came across as an ice queen to me. This song is a perfect anthem for "Starting Over," and another one of her more personal dance floor confessionals with a very percussive beat; it should be a single, but the beat is not the only reason(the piano arpeggio, her vocals, and the lyrics too).  Girls do like to tease, and play the boys sometimes; I mean just listen to this song, it is proof that girls like the power they feel when some poor schmuck is 'Hypnotico" by las cuerpas bonitas. I just like the song. Now is this next bonus track about a swinger? I would not mind If i had a girlfriend that was "Everybody's Girl," but I would would bother doing whatever anyways( whatcha think about that?) I don't like to judge, that's not for me to do; enough people do that anyway. The synth is also pretty nice in this track; if this switched places with her most recent single it probably wouldn't be a bad thing (los sientos, Papi).  Maybe she should "Take Care" when it comes to writing her lyrics, that's why it's a bonus. I'm seriously just being an a--hole "and I love you I love you I really really love you"(ok, maybe love is too strong a word, but besides the beat the rest makes me think of a more mature a tisket a tasket (not lyrically, though). Favorites: I'm Into You, (What is) Love, Run The World, Until It Beats No More,One Love, Starting Over, and Take Care.

Whitesnake "Forevermore"

The opening track might "Steal Your Heart Away" with its blues-rock southern boogie, breakdown, and its background harmonica. I guess I'm "All Out of Luck" With that rhythm section and those grooves dipped in blues-dance, as well as the solo that just beg for some stage splits as you hold the invisible mic stand; this song just makes you believe "Love Will Set You Free." To love the next song is "Easier Said Than Done." The song is nice, but it sounds a little dated, or just sounds out of place, and the riff sounds like a bluesy counterpart to the theme of a 90's hit TV series. I don't think I need to 'Tell You How' to win my love; you have some great percussion here even with the simultaneous shredding,and a pretty big chorus. You didn't win my love, but you won my approval (not that it is worth much). It's funny how you can like one song and dislike another. I'm not saying I dislike the first ballad on the disc, I know after a few listens I might like it "One of These Days." The first ballad of the bunch sounded like it was forced, or maybe the vocals didn't agree with the sentiment or the instrumentals; everything was competing, but this one shows how everything can work together. You want another song that you can "Love and Treat Me Right" to? This is another one of those songs made to make love to? What would you say; the lyrics aren't explicit, but you can pretty much figure what can happen next. I don't know if I would offend the "Dogs In The Street" by bringing my Guns N' Roses comparison with me. Who's crying now? I don't know, but the sister riff to the one in this track may wish her brother changes his bad-a-- ways. "Fare Thee Well" ballad, for I never want to hear you again; Don't worry we'll reunite, and I will be happy to hear your song again, I'm just being a smart aleck. This next track has them compared to Led Zep, but I still hear the voice of Axl; with that said these "Whipping Boy Blues" can't be that bad.One more raucous rocker, before we go;"My Evil Ways" tell me it's perfect, so f*** you if don't agree, I won't be mad though. The title track is one of those epics that should be placed with some of the classics "Forevermore." Whether it be Hotel California, Dream On, Stairway to Heaven, or at least Still of the Night I hear Chris Cornell in his delivery at times during this track. I can even say some epics from G'N'R, and so many more, but I won't. Favorites: Steal Your Heart Away, Love Will Set You Free, Dogs in the Street, Fare Thee Well,Whipping Boy Blues, My Evil Ways, and Forevermore

Sum 41 "Screaming Bloody Murder"

 Comparisons were made with a band that wrote their mega-hit concept album, that not only inspired the production of a live show of the same name (possibly a movie) made for the American Idiot, or people who like their punk rock concept albums! Is it ok to call them punk rock or will I be lambasted? I'm talking about their album for the Underclass Hero. The slightly orchestral intro to the opener with that huge clock , and the slow rhythm that starts before they kick it into gear for about a minute until they end the song with a piano and discordant acoustic give me "Reason To Believe" that hey have not only matured, but wussed out as well? The title track has the drums "Screaming Bloody Murder," but based on this title they seem like they are pissed as 'Skumf*k.' What is that supposed to mean anyway? Not only is the title misleading because it sounds like an angry mofo, but it starts dreary and melancholy for the first minute and a quarter, but then we are bombarded by a bouncing vaudevillian piano-led rhythm with drums that kinda shoot like machine guns and some (nice) harmonies.It reminds me of the style on that aforementioned record; which I really did enjoy. The next song sounds like it has taken a shot of classic punk and then kinda threw it up in a modern blender... Maybe it's "Time For You To Go." I don't know if you would like what they're serving next, or do you want to wait and see? A shot with a chorus I'm still waiting for, that has an angry breakdown, and based on the pace I swear I should have received this shot quicker than I have! The service is terrible here! Will "Jessica Kill" me, or will I be ok? (she's the bartender[ess]) "What Am I To Say" about this song other than the fact that it is one of those sappy" I need you, but I thought It would be best for me to leave you" retrospects; with some dark and depressing lyrics. Am I in a drunken stupor or am I really hearing a mini epic such as this? It is a "Holy Image of Lies" with several tempo changes, trumpet inclusion,tender moments, and tension filled drum-line. It starts all angry and a few short seconds later we have a bouncy-piano rhythm; f-this I'm sick of listening to all these records and I'm "Sick Of Everyone" that make them. In fact, I may need a "Happiness Machine" if I want to be able to constructively criticize any more records, and sadly this song doesn't help because the irony in the relationship seems to be just a ploy to help make them seem better than they are. The chorus' first few lines add a layer and the last verse is the icing on the cake. What a way to become a man, indeed! Instead of falling in love with this record I think have just fallen, but after that "Crash" that the relationship had between Whibley and his ex Lavigne (Avril..have you heard of another songstress with the last name of Lavigne around the same age?) The most notable quality is Whibley's stellar vocal performance, and slight croon. He might have fallen too, but in hate as he proclaims "So I'll leave it all behind, but I'm leaving with blood in my eyes." Hate is such a strong word, but he is seeing red I do believe, and I feel I have "Blood In My Eyes" as well for different reasons.You cannot deny that he was affected, even when he proclaims that the feelings are dead in the song; he just forgets about being nice and just lets that pent-up anger out before it damn near kills him. There is a lot to like in the song though sound-wise, but the first lines...YIKES! The next song sounds like a half-a**ed b-side, but also sounds like a tongue-in-cheek," let's goof off, and f--- your scrupulous criticism you idiotic loser" song. So what do I think? "Baby You Don't Wanna Know" Ooh Oooooh Ooh Ooooh! This next track put me 'Back Where I Belong,' and maybe where they belong too, in their own show entitled Half Hour of Power. Maybe the previous track should be showcased there, and this one should be showcased on All Killer No Filler. Well, as 'Exit Song' proclaims that there is nothing left to say, I agree, now please keep your anger at bay. BYEEEEE! Favorites: Reason To Believe, Skumf*k, Jessica Kill, Sick of Everyone, Holy Image of Lies, Baby You Don't Wanna Know, and Back Where I Belong

Chris Cornell "SongBook"

For those diehard of Chris Cornell, they probably wanted to Scream after hearing his last sonic experiment. I, on the other hand, thought that overall it was a pretty strong and consistent record; not many bad songs. Cornell said himself this was some of the best stuff he had ever written, which probably freaked them out even more. Hoping that any of his Cornellians wouldn't commit Sweet Revenge (one of my absolute favs) he decided to make a complete 180, and to perform music without all the bells and whistles just bring his acoustic and sing his heart out. Which brings us to the topic of his Songbook, and "As Hope and Promise Fade" a very enthralling relationship slowly turns sour as the protagonist in the story slowly turns to self-destructive ways to cope, and this song was meant for an acoustic. There is nothing to prevent you from hearing the pain in the delivery and the sincerity he brings in a powerful first track. The "Scar on the Sky" was an acoustic version of the song from an album that urges us to Carry On. The song is not bad in either version, but it's not my favorite; I must be honest. You can "Call Me A Dog," but I'm only (sub)human, and this song is practically the same on the live and studio version with Temple of the Dog; which is as it should be, as the song is perfect the way it is. The next song made me curious how it would sound because it was part of that sonic experiment which lead to a "Ground Zero" of lost respect from some of his fans. I love the funkier and timbobeat percussion led version, but Cornell still manages to keep some of that funk swag in this acoustic arrangement (by strumming, no doubt). It's not the same, but is just as good, and even has him wailing towards the end. Most people want to change what they don't understand, and people fear the unknown. Because people fear things without closure they fill the hole with things that are often untrue which leads them to believe these lies, and want to change someone, but they really have nothing to fear because the stuff they're worrying about is all in the head. You don't know me, and "Can't Change Me," I deal with BS like this everyday! Now he tackles a song from the powerful debut of the super-group known as Audioslave, and not just any song, but one that proclaims "I Am The Highway" which stays fairly close to the original and works just as well in an acoustic setting because it was made for it. It is important to be grateful to your fans that keep you going mentally, spiritually, financially (allowing you to still do what you love), etc, as well as thanking family and friends, and for this song I thank Cornell and I "Thank You" for reading this. Funny how the next song is one about "Cleaning My Gun" which I don't have, and I guess there was no record which seemed right to house this track before this one. Audioslave's swan song, described by the band as Earth, Wind and Fire Meets Led Zep, was a great record to end their trilogy of great records and their career. It was definitely worth the listen, to me anyways, but I'm not sure if  many would say it was worthy of that comparison. This song had a funk-rock swag in the original with those beautiful melodies,and again it's not the same in translation, but is still strong on its own merits. I love the original version of this Soundgarden classic that was written when they "Fell On Black Days," and I have nothing much else to say but this version doesn't lose anything in it's acoustic form. It might have even gained something. Sometimes writing, and thinking of what to write can be an "All Night Thing," and maybe it does sound good acoustically, but the original version sounds slightly better. I cannot say that "It Doesn't Remind Me" of anything, because it brings back memories of when this record came out and learning this song; I love the acoustic version just as well as the original even if it doesn't have the great solo and is slightly off, but the energy is still there. From one Audioslave track to another I'll sit here "Like A Stone," and wait for you; if I have to because I love you. It loses some momentum in translation again, without the solo or the great beat, but I still love the acoustic version for what it is..perfect in its own way. A "Black Hole Sun" is near, and again seems perfect for acoustic. I can try to "Imagine" the courage it takes to cover a classic like this, and even more courage to change the lyrics *cough* Cee-Lo Green. Many would say that you cannot top the original, and I'm not saying it does, but it reaches for its purity and sincerity and is not too far off. The final track may not be a a keeper, but it's "The Keeper," and after subsequent listens does become easier to love. The best pages of this book are As Hope and Promise Fade, Call Me A Dog, Ground Zero, I Am The Highway, Wide Awake, Fell On Black Days, Doesn't Remind Me, Like A Stone, Imagine, and The Keeper.

The Lonely Island "Turtleneck and Chain"

Well, we return to this lonely island as it pulls us by a Turtleneck and Chain. I don't even need to go into the opener's lyrics, but there are enough dick jokes, they're not that hard to find; there is a whole other meaning there. I don't know if the world needs you as much as you proclaim, but I'm glad you guys came to say "We're Back." The next song is a beautiful tribute to all of the other mothers in the world done in the way that only these guys can make; the lyrics are at times sentimental, but during the song they are interrupted several times by their "Mama"' which in turn becomes a nice catalyst with how they react to her presence, and how they feel about her(for that second). I don't know if you care, but "I Just Had Sex," no really; it was with this track. I nearly had an ear-gasm. The lyrics are pretty explicit at times, and slightly hilarious. What makes this song so great is that not only is Akon in this track, but it sounds like the production values are from The Dream that I had when having said sex. Michael Bolton is in this next track, and has the ability to make something that seems so silly SO EPIC, and more meaningful than you would think as he sings the hook about our favorite rum-drunk, pathologically lying, and off-balance Captain "Jack Sparrow." To be on an island, with Beck, where all the girls are "Attracted To Us" would be fabulous, but also weird at the same time. I love the hip-hop/funk of the next track which doesn't proclaim that's how I beat Shaq, but it recalls the time where the verses were far from "Rocky," even though he was smashed in the face several times by him; surprised that there was no brain damage. "My Mic" sounds nice seven times in a row. The title track has a giant rapping with a chipmunk and a dog, Snoop Dogg that is, in a song that makes "Turtleneck and Chain" seem gangster. Rihanna takes the center stage when she is no longer an understudy because of  "Shy Ronnie 2: Ronnie and Clyde." Eventually he is no longer shy; neither is his good friend Peter. What is that whining about? Is Fred Durst causing "Trouble on Dookie Island?" The track's horn filled production seems like a flashback from the 80's? "Falcor Vs. ATreyu: Classy Skit #1" is kinda cheesy, but depending on who you like, you may think it worthy of conversation, or a laugh. The next song's hook and delivery of Justin Timberlake can really make this song addictive, and possibly distract you from the disturbing and simultaneously droll lyrics; depending on your state of mind, and/or sense of humor. Years ago for awhile there was a fad concerning songs that taught you a new dance move, and this is their entry. John Waters and Nicki Minaj not only are featured in this track, but also emulate "The Creep," which seems to be counter-productive when it comes to meeting beautiful prospects. I am a fan of all of the verses, but I think I like Nicki's the best; the bloops  in the song don't drop the world, but make sure we are all clear on just how to get our creep on. 'Watch Me Do Me: Classy Skit #2' is pretty much what you expect; funny, maybe, but definitely not classy. I don't know what is better: the lyrics or the instrumentals of this next song, but if I "Threw It On The Ground" it wouldn't matter; the song would still exist, but I may be out a couple hundred bucks. The next song seems like it was a waste of money when it came to studio time; It just seems like they were completely foolin around, absurd, and really lame, but maybe that is what makes it special. It seems that if you are high when you listen to this song it may sound much better than it does when sober, or not nearly as silly. I just hope people from "Japan" aren't offended. Life can pass you by in an instant, and if you live your life strictly for the "After Party" without actually living it in the present, then you might miss out on some things. I just want to say that the lyrics and all of the situations addressed in this song along with the rest of the instrumentals make this a fine way to bookmark this record, "No Homo." The 'No Homo Outro' is even better than the actual track. I would have to say that this record was short and sweet, practically every song was worth a listen or a laugh, even though some of the songs might have been slightly dumb, they were still entertaining. Some of the songs reminded me of MC Lars, and the lighter tracks from Hollywood Undead's debut. They had plenty of interesting features which complimented their style, and helped make it more memorable; if you want a good laugh I suggest you listen to this record, but in a great way.

St. Vincent "Strange Mercy"

The last one was TERRIBLE!!!!! Not the album, but the review. "Chloe in The Afternoon" starts with some cacophonous funky bass next to some angelic harmonies and two different beats; sounds intriguing and inviting despite the their arguing. Those keys can be so "Cruel" because they would like to take hold of your memory and not let go, but then who can forget that visit to the clouds as the subtle beat has us sore along nad an organ brings us closer to the ground and we land with dancing shoes instead of wheels. Despite the title of the song, it is not very cheery. The song admits that she has fallen for bad boys and declares that she will no longer be the "Cheerleader" for her latest. I would have to say this song needed a "Surgeon" until  that funky harp, that timp beat, oriental flourish, and flute amidst more business towards the end. These "Northern Lights" tell us that "Its a champagne year full of sober monks" among not much else, but the rest speaks for itself as the pendulum starts to build up momentum by the beat and goes in some dizzying distortion, and bells from above with some more tambourine and Clark's distinctive vocals. The next song has that of "Strange Mercy" with nothing extraneous, nothing annoying, and nothing but beauty in its low-key approach, and "If ever I meet that dirty policeman who roughed you up" I do not know what I would do. I guess the next song is like "Neutered Fruit" focusing more on having us listen to her strong songwriting ability and vocals instead of trying to give us a headache. The song is appropriate and the lyrics ask, which sound slightly possessive/obsessive when she sings "Did you ever really stare at me like I stare at you?" but heart wrenching when she sings "Did you ever really care for me/like I care for you??" We can all relate to the feeling of unrequited love, especially if we love someone that we will never know, or is someone over any popular social networking site whom we may never meet.In the former line that can be pretty creepy, in that context to be obsessed over someone you may never meet. St. Vincent makes music that we wanna hear, and tells us what we wanna hear which doesn't make enough, but keeps her mind in use so no cobwebs appear. Oh "Dilettante," or should I say oh Elijah! "What is so pressing, that you can't undress me anyway?" are the last lines that end the song before the airy strings and key solo that seems to like to funk her too. The second last track is a song that steadily builds and works its muscles to gradually build "Hysterical Strength" with a a persistent jogging beat and piano accompaniment that leads to a reverb from inaudible to loud enough in around a minute twenty six. It's the year of the dragon, not the "Year of The Tiger," but maybe at the time it was written it could have been. The song is not fierce despite its name, but is a nice quiet ending that may be so quiet for fear of waking the tiger. My Favorites: Chloe in the Afternoon, Cruel, Surgeon Strange Mercy, Neutered Fruit, Dilettante, and Hysterical Strength.

Dropkick Murphys"Going Out In Style"

AT first listen, I thought it doesn't sound very exciting, is much different from other albums, but after a few listens I felt differently.  The first song is a riotous welcome to what will become an interesting journey of Corey Larkin, a fictional character whose adventures are fed with a stew of family folklore and the band's personal experiences to create a retrospective of his life in this album of concept. The songmakes me think of 300 when they say that they are outnumbered and outgunned "No mercy, no quarter/They’ll pay for their sins/Now lower the cannons the battle begins" and no matter how many we kill, or how many die; I guess the best way to show them who's boss is to "Hang 'Em High." What seems to follow is a bar-singalong, featuring Fat Mike, Chris Cheney and Lenny Clarke where all the friends, acquaintances, girls who didn't care, and even sister Barbara or Mayor Menino, among others. The song is full of humor and energy which often don't mix with a song about dying, but this isn't about dying it's about "Going Out In Style." The first account of the travels regarding the immigration starts with the death of fifty-seven people, who did the job of men-y and left to die on "The Hardest Mile." I won't be so "Cruel" in my critique of this album, or this song, which is a nice break from the vivacity we heard in the first three tracks. The song relies on the chorus and refrain, but "When circumstance outweighs intention/Sometimes the mountain's just too hard to climb." That would be one of the lines that hit me most in the song ; the whole first verse, and even the refrain..ok..there is a lot to like lyrically. This song might not only be pleasurable listen on "Memorial Day," but may also be a song to listen to every day; it may be listened to when you feel blue, because who can you count on to hold you up by your bootstraps if not you? An inspirational song is revealed when you pay more attention to the lyrics; If not, you can just enjoy what the rest has to offer. The first verse is the most poignant, and the last forty-five seconds (including the banjo and bagpipe barrage) are not afraid to make a man's mistakes; which don't exist here. I finally realize what this song means when it says "Climbing The Chair To Bed." The rhythm of the "Broken Hymns" softens the blow of the harsh reality that is revealed to the families of the soldiers listening to the battle hymns. We have heard this before, that "Deeds Not Words" are louder. A traitor was in the mist and all of his frenemies are p******; he must live with his own mistakes, but that's only if he survives because with all those "Bodies on the floor no one's getting out alive." Let's take a break from the concept and write a Pro-Union Song for the Wisconsin Workers protesting the anti-labor legislation passed by Scott Walker and "Take' Em Down."  Then let's mosh until our whole body hurts, ears ache, and we see more red than just in our eyes as we take a group of fifteen by truck to a "Sunday Hardcore Matinee" in this tenacious tribute to the hardcore of yore (GBH, Agnostic Front, Bad Brains, and Minor Threat). "1953" is a more laid-back singalong  that  is a good break before the lively rendition of this next irish traditional that not only features "The Boss," but features the 'Peg O' My Heart' even if I'm not Irish. The final song is another Irish traditional given the vivacity that these guys are known for. What can I say? I mean, you have Bruce Springsteen in the previous track and another ode to their heritage before the return of "The Irish Rover." They really did end up Going Out In Style. I liked the whole album, but if I could only choose seven songs I would choose: Going Out In Style, Memorial Day, Cruel, Climbing A Chair To Bed, Broken Hymns, Sunday Hardcore Matinee, and Peg O' My Heart.